Music

(Reviewed by CrossRhythms) This is the second album from Surrey-based (though Ethiopian-born) musician Ian Ottaway, a follow-up to his well rated 2002 disc 'Hope'. Like that, this is a truly credible indie recording infused with genuine ability. Ian has a fine voice and he creates solid songs of spirituality - apparently "written in the midst of family crisis" - which are subtly engaging. What's more, as with his debut, Ian has the full support of well known names like Sue Rinaldi, Stuart Barbour and Caroline Bonnett, all of whom provide their musical assistance here. Many tracks are based on Bonnett's deft keyboard sounds (the disc is also recorded, mixed and produced by Bonnett). At times there's a clear (though presumably unconscious) resemblance between Ian and Russ Hughes of Detling fame. The overall sound is varied, with a good mixture of catchy, upbeat songs and more laid-back numbers. It's an accomplished sound and pleasing to the ear. A promising disc, and further evidence of the talent within the UK worship scene.

This is a varied CD providing catchy enjoyable sounds with meaningful lyrics. Several tracks are a real encouragement for those who are feeling crushed in Spirit and seeking shelter from the storm. Both 'Your Love' on the 'Hope' album and 'City of Refuge' provide the much needed comfort that only God can provide through His music. Purchase recommended.

'City of Refuge' is bursting with appreciation for all that Jesus has done for us.  There is a maturity which comes through the refrains and it is brimful of feeling, all of which, I suspect, emanates from a walk with the Lord which has gone deeper of late.  The title track is special and not only reflects Ian's heart but that of the Pastor and the church he serves.  Buy a copy and support a great local talent, play it and there's no doubt - you'll be blessed.

(Review published in Cross Rhythms Magazine) A nice surprise. Independently released worship continues to flood out but many are little more than exercises in derivative songwriting and performance dominated by more enthusiasm than musicianship. This however is not one of those. The opening song, "Holy Is The Lord", is already a song you'll have heard around the churches while there are others here, like the gently wistful "As I Look To The Skies (I Stand Amazed)" and the exploration of Ephesians 6, "Put On The Armour Of God", are top quality. Only the cod-country "Bless The Lord O My Soul" fails to connect. Production is excellent thanks to Caroline Bonnett with some luminaries like Stuart Barbour and Sue Rinaldi on hand to play/sing simple but deft arrangements while Ian's voice is easy on the ear. If you're looking for quality worship songs from a musical minister who's not trying to chase youth praise rainbows but songs simply expressing a tender-hearted love of the healer God, here's one to search out.